2021 in books

The past year may be a personal best for number of books read, at least since my childhood when I remember reading this many and more during the golden days of summer vacation. I am a little surprised at my total of 92 but will attribute it to one part motivation to reduce the mighty stacks of to-be-reads and one part blinkered escape from the world.

Here’s how it sorts out. I read about the same number non-fiction as last year with 26. The novels added up to 66. There were 22 books translated from other languages into English. Atypically for me, a little more than half my list had been published (either new or in the English translation) since 2015. That reflects the pandemic buying binge to support bookstores creating the afore-mentioned mighty stacks.

It’s very gratifying to review my reading list and see so many very good, satisfying, well written titles. My 10 Best list feels a little arbitrary. Several were easy picks but others might have been different another day. So here is my list of ten plus a few. I don’t claim that I chose the best, but these are ones I most enjoyed.

Non-Fiction

China In Ten Words by YU Hua (translated from the Chinese)
Fire & Brimstone: The North Butte Mining Disaster 1917 by Michael Punke
Hokkaido Highway Blues: Hitchiking Japan by Will Ferguson
A Stranger To Myself, The Inhumanity of War: Russia 1941-1944 by Willy Peter Reese (translated from German)

Fiction

The Great Swindle by Pierre Lemaitre (translated from the French)
Reading In The Dark by Seamus Deane
The Night Watchman by Louise Erdrich
The King At The Edge Of The World by Arthur Phillips
Human Acts by HAN Kang (translated from the Korean)
The Memory Police by OGAWA Toko (translated from the Japanese)

Special Multi-Novel Achievement Category

the five “Patrick Melrose” novels by Edward St. Aubyn
Never Mind
Bad News
Some Hope
Mother’s Milk
At Last

Special Unexpected Pure Reading Pleasure Category

The Distance by Eddie Muller

baseball is…

Life? Quite possibly. Poetry? Most definitely. Poetry in motion, sure, but also as words on a page.

Empty baseball field
–A robin,
Hops along the bench

Jack Kerouac (threw and batted right-handed) composed this, the first American baseball haiku, in 1959. The first ever baseball haiku was written by Japanese poet SHIKI Masaoka (threw and batted left-handed) in 1890.

spring breeze
this grassy field makes me
want to play catch

More than two hundred delightful examples of baseball poetry are collected in Baseball Haiku, edited by Cor van den Heuvel and Nanae Tamura. A short informative essay introduces the major poets in the development of modern haiku in both Japan and America and suggests some of the natural affinity shared by baseball and haiku, each having a connection with Nature and a focus on the individual moment. Each of the poets is introduced with notes about his poetry and interest in baseball.

from Randy Brooks

carrying his glove
the boy’s dog follows him
to the baseball field

from SEI Imae

walking home
with his glove on his head
shrieking cicadas

from Tom Painting

bases loaded
a full moon clears
the right field fence

from Brenda Gannam

handsome pitcher
my eyes drift down
to the mound

The apparent simplicity of Haiku is notoriously tempting to the poetry rookie. Who can resist the temptation to try one?

game on TV
a roar pulls my eyes
up from a book

a poet on ‘memory’

I don’t think I can speak at sufficient length about the importance to the poet of avoiding or ignoring Kodak moments. If a poet seeks to make or keep memories, how will she ever know which ones contain true power, which would assert themselves on their own? Perhaps her very definition of memory would change if she didn’t get her Kodak moments developed. Maybe memory would not hold individual scenes at all; maybe it would have no detail; maybe it would not rise up–the pines of that morning in Yosemite scraping the interior of her skull; maybe it would be nacreous, layered regions of pleasure and attraction in the mind. Any sense of tint in the depth of the gleam would arise so slowly as to be imperceptible. I am speaking of the memory that might result from repetition. I am interested in the long ways of knowing, where the mind does not seek strangeness. We must be less in love with foreground if we want to see far.

from Synthesizing Gravity by Kay Ryan

Memory does not do our bidding, even when we are most intent on fixing a moment or an experience in our memory. Perhaps it’s just as well. Perhaps we should struggle less to make “perfect” memories. Perhaps we should fret less about all that we can’t remember. We must be less in love with foreground if we want to see far.

A word I’m pleased to learn: “nacreous” meaning lustrous, as mother-of-pearl. Nacreous gleams of memory, a wonderful image.

“doing” beats “disrupting” in WHY WE DRIVE: Toward a PHILOSOPHY of the OPEN ROAD by Matthew B. Crawford

Ripe seeds of invention everywhere abound, and it awaits only a certain combination of need, of circumstance and, above all, perhaps, of chance, to decide which shall germinate.
The High-Speed Internal-Combustion Engine by Harry Ricardo, 1923

“Ricardo’s “ripe seeds of invention”…begin to germinate around some settled platform…allowing a body of communal expertise to develop. The impatient optimizer may see such an inheritance as an obstacle, something to be swept away in the name of forward progress. Human beings are often bullheaded in their attachment to something suboptimal. Call it loyalty, call it perversity, or call it a cultural inheritance, this conservatism has at times been responsibe for amazing leaps forward, paradoxically enough…tradition can itself be an engine of progress. It organizes the transmission of knowledge. It also provides an idiom for some shared endeavor, and a set of historical benchmarks, such that one can imagine oneself outdoing particular human beings who came before, and who worked wthin the same basic limitations. Tradition thus provides a venue for rivalry in excellence, the kind that sometimes brings a whole community to new and unexpected places.

In this respect, I think it is fair to call hot-rodding an art form.”

This is, I’m certain, the most entertaining and engaging work of political philosophy that I will read all year. Crawford tells great stories about what we could call the “car culture’ to make serious arguments for defending the personal freedom integral to the act of driving, and the human virtues cultivated in making and doing stuff to cars. He attacks the particular threat of the autonomous car to critique the larger issues posed by the intrusion of ‘big data tech’ into our society.

Hot-rodding as an art form is a little tongue in cheek, but he’s not talking about street racing. He describes the ingenuity, creativity, and passionate pursuit of making something better, something imagined and created through a high level of craft. I’m never going to pick up a wrench let alone tear down an engine, but I can sincerely admire the skill and passion that the car enthusiast pours into realizing a personal vision.

His title is what caught my attention. Didn’t quite have me at “Drive” but he hooked me with “the Open Road”. I love to drive and I love a road trip above almost anything. The prospect of the so-called autonomous car fills me first with bafflement – who doesn’t want to be in control and enjoy the physical sensations of driving? – and then incredulity – who thinks these systems would be any more error free or secure than any other bug and hack riddled software that we know? – and then fear and outrage – are some “experts” going to force us to relinquish yet another piece of personal independence and active agency?

I feel more and more uncomfortable with what has been aptly named “surveillance capitalism” (Shoshana Zuboff, The Age of Surveillance Capitalism) and anxious about its relentless extension into our lives. I have no wish to be a passive engine of consumption, but it is harder and harder to defend privacy and avoid (or even recognize) the little nudges and gentle steerings that intrude into every activity.

“…the Blob that seeks to claim every nook and cranny of human experience as raw material to be datafied and turned to its own profit. What this amounts to is a concentration of wealth, a centralization of knowledge, and an atrophy of our native skills to do things for ourselves.

However one comes down on a contest such as that between…consumer convenience and a living wage, between waiting an extra five minutes to hail a cab versus spending an extra ten minutes in traffic because the streets are flooded with empty Ubers, shouldn’t these questions be decided by us, through democratic contest and market forces? That is not at all what is happening. It is more like colonial conquest, this new and very unilateral form of political economy.”

Definitely a bigger issue than keeping my car keys. That’s important too. I like to drive, I like to use the skills developed over many years and miles of driving, I like making the choice of route even if it’s not GPS “optimal”, and I enjoy (mostly) the interaction with fellow drivers as we share the community of the road.

“To drive is to exercise one’s skill at being free, and one can’t help but feel this when one gets behind the wheel. It seems a skill worth preserving.”

Reading List 2021

What I’ve read this year. I sample or skim some that aren’t included. Happily, I have lost the compulsion or sense of duty to finish every book I start.

December

Shadow Boxer by Eddie Muller, Scribner 2003
excellent follow up to the noir tale of reporter Billy Nichols, “Mr. Boxing”, in The Distance

Pastoral Song: A Farmer’s Journey by James Rebanks, HarperCollins 2020
thoughtful heartfelt insight into the degradations of agriculture and food quality, the “big picture” illuminated by the experiences of three generations of a Lake District (UK) farm; we need “policies to recognize that sound farming is a ‘public good'”

The Light of Day by Graham Swift, Knopf 2003
in deceptively spare prose a detective remembers/meditates on his life; (book group)

Making Nice by Ferdinand Mount, Bloomsbury 2021
satirical critique of celebrity PR driven politics and a modern Pied Piper

The Master Key by TOGAWA Masako, translated from the Japanese by Simon Grove; (c1962) Pushkin Press English edition 2017
secrets, sad and sinister, in a Tokyo apartment house unlocked by the master key; a tricky plot, unsettling atmosphere

District VIII by Adam Lebor, Pegasus Books 2018
a largely successful mystery story with a promisingly complex detective and setting in contemporary Budapest; the author packs a lot of history and cultural detail around his plot, interesting and necessary I’m sure for most readers but sometimes overwhelms the story flow

Old School Tie by Paul Thomas, Hachette 1994
first of the mysteries with Maori detective Tito Ihaka has everything that distinguishes the series; complex plots, large interesting cast of characters, violence, clever lively style, humor

Continue reading “Reading List 2021”